![]() with out the larger disc case w/insert cover and your disc will be fine. You can toss them in your car, purse, bag, carry on, etc. Portability - Because of the small size and protective disc case, the minidisc can take a beating. Protective Case - The disc is protected in a protective case, much like the old floppy disc or a zip disc, preventing scratches to the disc surface.ģ. Size - the minidisc is is about the size of a large pack of matches.Ģ. Besides the collectibility of minidiscs, the format is superior to the common CD in many ways:ġ. As only a few thousand titles were ever produced, minidiscs have become more and more rare. ![]() Of course the real beauty is the fact that the music is on a minidisc. ![]() The Sony minidisc version of Sleepless in Seattle is an A+. But such fantasies are what movies are made for, especially romantic comedies, and for this release of the soundtrack to Sleepless in Seattle on LP, we at Real Gone Music have issued a 'sunset' vinyl edition that'll cause you to gaze dreamily at the horizon (glass of wine not included).Afghanistan, Albania, Algeria, Andorra, Angola, Anguilla, Antigua and Barbuda, Argentina, Armenia, Aruba, Australia, Austria, Azerbaijan Republic, Bahamas, Bahrain, Bangladesh, Belgium, Belize, Benin, Bermuda, Bhutan, Bolivia, Bosnia and Herzegovina, Botswana, Brazil, Brunei Darussalam, Bulgaria, Burkina Faso, Burundi, Cambodia, Cameroon, Canada, Cape Verde Islands, Cayman Islands, Central African Republic, Chad, Chile, China, Colombia, Costa Rica, Cyprus, Czech Republic, Côte d'Ivoire (Ivory Coast), Democratic Republic of the Congo, Denmark, Djibouti, Dominican Republic, Ecuador, Egypt, El Salvador, Equatorial Guinea, Eritrea, Estonia, Ethiopia, Fiji, Finland, France, Gabon Republic, Gambia, Georgia, Germany, Ghana, Gibraltar, Greece, Greenland, Grenada, Guatemala, Guinea, Guinea-Bissau, Guyana, Haiti, Honduras, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Jamaica, Japan, Jordan, Kazakhstan, Kenya, Kiribati, Kuwait, Kyrgyzstan, Laos, Latvia, Lebanon, Lesotho, Liberia, Liechtenstein, Lithuania, Luxembourg, Macau, Macedonia, Madagascar, Malawi, Malaysia, Maldives, Mali, Malta, Mauritania, Mauritius, Mexico, Moldova, Monaco, Mongolia, Montenegro, Montserrat, Morocco, Mozambique, Namibia, Nauru, Nepal, Netherlands, New Zealand, Nicaragua, Niger, Nigeria, Norway, Oman, Pakistan, Panama, Papua New Guinea, Paraguay, Peru, Philippines, Poland, Portugal, Qatar, Republic of Croatia, Republic of the Congo, Romania, Rwanda, Saint Helena, Saint Kitts-Nevis, Saint Lucia, Saint Pierre and Miquelon, Saint Vincent and the Grenadines, San Marino, Saudi Arabia, Senegal, Serbia, Seychelles, Sierra Leone, Singapore, Slovakia, Slovenia, Solomon Islands, South Africa, South Korea, Spain, Sri Lanka, Suriname, Swaziland, Sweden, Switzerland, Taiwan, Tajikistan, Tanzania, Thailand, Togo, Tonga, Trinidad and Tobago, Tunisia, Turkey, Turkmenistan, Turks and Caicos Islands, Uganda, United Arab Emirates, United Kingdom, United States, Uzbekistan, Vanuatu, Vatican City State, Vietnam, Wallis and Futuna, Western Samoa, Yemen, Zambia, Zimbabwe The music was so powerful, in fact, and so integrated with the screenplay that it helped gloss over the incredibility of the film's premise, which, as you might recall, had Meg Ryan falling in love with Tom Hanks, a stranger she had never met, merely from hearing him being interviewed on a radio talk show on Christmas Eve. Indeed, the film re-introduced a whole new generation to the unique charms of Jimmy Durante with his renditions of 'As Time Goes By' and 'Make Someone Happy' over the opening and closing credits, respectively, resulting in a boomlet of enthusiasm for the work of the ol' Schnozzola. ![]() With artists old (Louis Armstrong, Nat 'King' Cole, Gene Autry), new (Céline Dion, Harry Connick, Jr.) and somewhere in between (Carly Simon, Joe Cocker, Tammy Wynette), the movie's array of songs (many chosen by Ephron herself) appealed to hearts of every vintage and tastes of every stripe, and the tunes themselves represented the best that the Brill Building and Nashville had to offer. ![]() One of the great trio of romantic comedies starring Meg Ryan that were written and/or directed by the late Nora Ephron (When Harry Met Sally and You've Got Mail being the other two), 1993"s Sleepless in Seattle was arguably the most romantic movie of it's generation, and it's soundtrack was a big reason why. ![]()
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